“To understand the machine, you have to look at the Blueprint.”

I grew up in the heart of Seattle, navigating the public school system until the world shifted in 2020. When the pandemic hit and my education moved online, the sudden isolation of quarantine became my greatest catalyst. With nothing but time and a vision, I retreated into the two worlds that made sense: high-stakes gaming and music production.

The Lootix sound didn’t happen overnight. It was a slow, calculated build. I didn’t come from money, so I had to architect my studio piece by piece. Every microphone, every software license, and every piece of gear was earned. I spent years flipping burgers and selling custom beats for background music to fund the expansion of my equipment.

That period of selling "utility music" was the spark. It gave me the idea for "The Blueprint"—a realization that my catalog should be a foundational tool for others. As a highly active gamer, specifically within the competitive Fortnite scene, the next steps were a no-brainer. I saw the friction between creators and copyright strikes, and I decided to solve it.

Now 19, I am deploying the result of that four-year grind. I specialize in a blend of technical rap and industrial-futurism—what I call "Elite Gaming Rap." My inaugural project, The Final Circle, is more than just an album; it’s an endgame soundtrack for the community I’ve been a part of since the world went dark in 2020.

I built the Lootix Protocol from the ground up. Now, I’m giving the blueprints to the world.